The ECoC evidence base
Forty years of European Capitals of Culture in their own words: what cities promised, what they did, and what the evaluations found.
documents
cities
evaluations
bid books
title years covered
22 documents of type bid book (final selection) for “Audience development”
Clear
…results in used by Organisations involed in Access audit process customised documents used by facilitators Explain your overall strategy for audience development and in particular the link with education and the participation of schools.

…management structure, a special Director- ate of Social Relations and Participation will be cre- ated which will include a Participation and Audience Development Manager.

…launch the networking forum during the implementation phase and for this to be retained as part of the legacy beyond 2025. 73 Opening Access: Audience development and cultural education Audience development If we are going to succeed in…

Audience Development efforts: ⚫ Deepening the relationship of current audiences with cul- ture and art. ⚫ Motivating current audiences to attend more often and try new things.

Sound without Borders could bring unexpected genres of live music into kebab shops and shisha bars, so that audiences can mix and mingle. The programme Helping Hands will give the elderly the chance to have more assistance and company when…

…21: Explain your overall strategy for audience development, and in particular the link with education and the participation of schools. Building sustainable audiences for culture is to the core of our culture-led development for the Three…

…in Brno are more emancipated and even have their own communication channels, such as the Roma TUKE.TV, with which we are collaborating in the development of the Brno 2028 projects.

…We will work with the Abbé Pierre Foundation and its partners to include in several projects an It’s not Luxury-moment allowing vulnerable audiences to attend Bourges 2028 events in symbiosis with other audiences.

We put the audience-development-driven research package to the forefront as the one objective that defines the success of the project. It does so by keeping in mind that audience development is the driver of the Cultural Programme…

…Jataci, Intersection (I am an emotional creature and Labels), CCM, Film at Every Corner, Faceprints, MZ 73 Explain in detail your strategy for audience development, and in particular the link with edu- cation and the participation of…

Groups Volunteers Marginalised/ Disadvantaged Minorities Older People Disability New Irish Communities Traveller Community Homeless Audience Development Strategy Recruit 220 volunteers Activate Specialist Volunteers/ Citizen Researchers /…

AUDIENCE DEVELOPMENT WHAT? A wide-ranging GO! 2025 cross-border audience develop- ment strategy which includes activities directly managed and delivered by GO! 2025 itself.

…WINDOW ON THE WORLD p38 projects also provide further evidence of our commitment to universal access and providing inclusive experiences for audiences with disabilities.

…with disabilities, as we want to build on their knowledge in developing approaches in this field. 4.3 — Explain in detail your strategy for audience development, and in particular the link with education and the participation of schools.

EXPLAIN YOUR OVERALL STRATEGY FOR AUDIENCE DE- VELOPMENT, AND IN PARTIC- ULAR THE LINK WITH EDUCA- TION AND THE PARTICIPATION OF SCHOOLS The key principles that audience develop- ment strategy will be based on include: - Educational…

…Dubrovnik2020 projects rely on the wisdom of the more experienced generations, not in order to ghettoize older generations in a separate audience group but, on the contrary, to actively involve them as the co-creators of the cultural…

Audience Development The Osijek 2020 audience development strategy is focused on the entire population of the city and O₂ region, with emphasis on: — Children – children of preschool and elementary school age, children who are addicts…

…enable more elderly people to attend events and participate in an even bigger variety of projects. 68 21. ― Explain your overall strategy for audience development, and in particular the link with education and the participation of schools.

Audience development, alongside project management, developing a deeper understanding of the climate crisis and culture, project management and budgeting were stated as important.

The basic challenge for audience development is that people using cultural services tend to remain the same – a homogenous group which gets older, but new audiences hardly follow.

Our approach to audience development and the links to education and schools The idea of Play! is itself an audience development strategy. With our ECoC concept we invite citizens to play to convince them that culture is not as scary as it…

Audience-centric thinking guides RI:2020, not because it is finally a priority for the EU but because many of our European partners have been crucial in bringing a “visitor perspective” into EU cultural policy in recent years.